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Sardar Udham: The Shadow Man

Satyabrata Ghosh explains why the film Sardar Udham should be watched to fathom what undying love for one’s own country ...

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Hollywood

Silence: The language of God

A piece of appreciation of Martin Scorsese’s 2016 epic historical drama Silence, by Berges Santok

&n...

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Alternative Entertainment

BAISHE SRABON: Dead Poets’ Society

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s genre-bending noir ...

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Movies

A Quart of Ray

Ever since Satyajit Ray passed away, his works have made it to the screen in sterile, ineffectual adaptations. Netflix’s Ray corrects tha...

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Alternative Entertainment

Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

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Alternative Entertainment

Avijatrik: The Wanderlust of Apu

It is to the credit of Subhrajit Mitra and his creative and technical team that Avijatrik manages to trace its own path, writes Shantan...

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TV

Imagine Norman Bates’s Kolkata cousin as a paying guest in your home

Shantanu Ray Chaudhuri reviews Bengali streaming platform, Hoichoi’s much-publicized psychological horror Mohomaya

...

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Thought Factory

Nervous Edges and Hesitant Hands: NAZAR -1989.

I had just passed out of FTII in 1989 and I was on my first feature as the Assistant Cameraman, reminisces Rafay Mahmood

...

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TV

Order! Order!

Khalid Mohamed reviews the twisty courtroom drama Nail Polish, the erotica-fest Paurashpur and a sensitive short film Adivaana...

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Bollywood

AND THE WINNERS ARE…

 

 

Here’s reviving the Raj Kapoor Awards for Excelle...

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